Abstract
In this video essay, I establish, discuss, and illustrate different types of Disney screencerts—events where the performance of music on stage is accompanied by the projection of the associated audiovisual on screen. Focusing on the audience experience, I use concepts from intermedial and multimodal studies to illustrate the experiential difference in each of the different forms of Disney screencerts—Film-with-Live-Orchestra Concert; Film-with-Live-Theatre-and-Orchestra Concert; Excerpt/Montage-with-Live-Orchestra Concert; and Shorts-with-Live-Orchestra concert. In the 100th anniversary of Disney, the event that truly celebrated the innovative spirit of Disney was not the one literary titled “Disney 100: The Concert” but the one titled “Encanto at the Hollywood Bowl”, which is a Film-with-Live-Theatre-and-Orchestra concert—a super-hybrid screencert form in which only Disney films have been presented so far.
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