Abstract
Resumo A adoção das cidades como objeto de estudo tem se tornado cada vez mais frequente na administração, em particular no campo dos estudos organizacionais. É nesta seara que nosso trabalho se insere. Aqui buscamos compreender as relações dialéticas existentes entre o discurso literário sobre cidades e as questões de ordem material nelas existentes. De maneira mais específica, analisamos estas relações no conteúdo da Revista Verde, publicação modernista importante da década de 20, cujo berço foi a cidade de Cataguases-MG. O pano de fundo teórico-metodológico tem como perspectivas a concepção marxista do discurso, a relação dialética entre base e superestrutura e o caráter ideológico do modernismo brasileiro. Os resultados apontam que as relações materiais inteiramente contraditórias são convenientemente ignoradas. Dessa forma, permite aos poetas da Revista Verde atribuírem a incompreensão da produção literária ao desinteresse da população, sem recobrar o ponto de partida para tal distanciamento nas próprias condições sociais existentes, em particular no trabalho extenuante nas fábricas da cidade.
Highlights
The field of organizational studies has proven useful in administration, by incorporating a thematic diversity that goes beyond conventional organizations
Cities as objects of research have become increasingly frequent in organizational studies
In the view of the author, the cornerstones of Modernism are the growth of the major urban areas and the migratory movement driven by industrialization
Summary
The field of organizational studies has proven useful in administration, by incorporating a thematic diversity that goes beyond conventional organizations This openness has been increasingly consolidated as a stance, for it includes historically forgotten organizational formats and brings about elements concerning the various implications of the modus operandi of capitalist organizations, such as those found in Czarniawska (1997), Mac-Allister (2001), Fischer (1996), Saraiva (2009), Saraiva and Carrieri (2012), among others. It distances itself by exploring the discursive potential less as a process of symbolic representation and more as an integral part of a superstructure (art), inextricably linked to other superstructure spheres (such as politics) and a corresponding base (the material relations) From this point of view, the discourse impregnated in the poems can serve to maintain or overcome the status quo, by aesthetically opposing or accommodating the literary production that precedes it and the material relations it discusses. We recapitulate the most important elements based on the proposed goal
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