Abstract

Once Romania came under the influence of the Soviet Union, the new regime established in 1948 was integrated into the diplomatic system created by the Kremlin. The party-state in Bucharest participated in youth festivals, the world women's movement, intellectuals' conferences, the Christian Peace Movement, and particularly the World Peace Congress. All of these events served as propaganda instruments to discourage a more assertive Western anti-Sovietism. Since 1954, Khrushchev initiated a shift in Soviet policy, one focused on peaceful coexistence rather than confrontation between the two formerly irreconcilable political camps. The Romanian People's Republic, along with other state socialist countries, emulated this novel approach in Moscow. The article explores the impact of the new course on Romania’s cultural diplomacy in the late 1950s and the early 1960s. To establish credible diplomatic efforts, there was a need to rethink socialist culture and revalue the pre-communist heritage. This new culture was based on the Leninist principle of “the new culture, national in form, socialist in content”. It signaled that the regime had moved beyond de-Stalinization, and now possessed internal legitimacy that no longer relied on the presence of Soviet troops in the country. However, this socialist culture drew inspiration from postwar autochthonized Bolshevik (Stalinist) nationalism. The medieval tradition rediscovered by Soviet cultural studies (such as Dmitry Likhachev, Viktor Lazarev, or Boris Rybakov) fueled anti-Soviet sentiments in Bucharest, leading, by 1964, to a significant distancing from Moscow. This article traces the diplomatic efforts of the Romanian People's Republic during this period of latent learning of the new rules of the political game within the socialist camp.

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