Abstract
Among the poems Emily Dickinson wrote in her most productive year, 1862, are two which gain particular interest from the fact that she returned to them at a considerably later date. Comparison of the early and late versions offers revealing insights into her development. To her poem about a hummingbird, “Within my Garden rides a Bird / Upon a single Wheel—”, she returned, probably early in 1879, to produce a much better poem on the same subject: “A Route of Evanescence / With a revolving Wheel. …” Condensing twenty lines to eight, she transformed a slack little narrative about the bird, her dog and herself, into a brilliant image of the bird's visual impact. Cutting out the personal pronoun, the dog and the philosophic debate, she managed to convey directly her sense of domestic miracle. The two poems appear separately, as numbers 500 and 1463, in Johnson's three-volume edition of The Poems (1955) and thus are taken over into his recent one-volume edition of The Complete Poems (1960).
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