Abstract
We interpret material culture using a Bakhtinian model of dialogicality. Metaphoric differences in male and female perspectives of the building rites and iconography of premodern Murik outrigger canoes are adduced. Men view the vehicle in terms of initiation and their war cult while women view it in physiological images of pregnancy, birth, and nurture, as well as in terms of the seductive powers conferred upon female‐cult initiates. We take these two points of view to constitute a contrapuntal dialogue about gender and agency in the reproduction of Murik society.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
