Abstract
The article raises the question of understanding the phenomena of religion and art in their interaction through the prism of dialectical and hermeneutic methods. The syncretism of the origins of religion and art, and then the dialectic of their coexistence and interaction, became the basis of the contradictory integrity of religious and artistic forms of social consciousness and activity, which was previously partly the subject of aesthetic reflection. The comprehension of religious and artistic integrity in the philosophy of culture presupposes going beyond the categorical apparatus of aesthetics into the sphere of dialectics and hermeneutics, coupled with reliance on the categorical apparatus of ontology — space, time, movement, taken as the basic categories of philosophical understanding of religion and art.
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