‘Destination Indigenous’: Wilderness Tourism, White Guilt, and Indigenous Ghosts in Algernon Blackwood's Canadian Gothic

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Blackwood's Canadian stories offer a version of Gothic wilderness-tourism terror, informed by an inherent ambivalence and repressed guilt about the British ‘colonizer’ entering traditional Indigenous territory. The encounter with Indigenous peoples and cultures, even as these cultures are recognized as more holistic and authentic than rational British subjects, is marked by a distinct discomfort. The British tourists, for all that they want to become one with nature, experience themselves encompassed by a hostile natural environment in which they are aware of themselves as intruders. Indigenous cultures in these stories are either threatening spectres (‘The Valley of the Beasts’; ‘The Haunted Island’; ‘The Wendigo’) or forlorn remnants (‘Running Wolf’), in both instances highlighting the irrepressible guilt that stalks the white intruder who unconsciously courts an experience of self-dissolution as expiation. If the repressed content in these stories is the fact of colonization, entering the territory as a foreign element, an invader, represents a form of uncanny intrusion through which the disowned past returns. However, in Blackwood's stories, the characters seek out this memory of disownment. As a form of colonial expiation, Blackwood's Canadian gothics enact the process identified by Renée Bergland in The National Uncanny, whereby Indigenous ghosts (and monsters) are internalized within the colonizer's imagination as spectres of both guilt and desire.

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The development of international law relating to indigenous peoples has been rapid, in particular if one considers advances at the universal level since the 1980s. The article provides a short introduction of the Convention on Indigenous and Tribal Peoples in Independent Countries and determines whether complaints manifesting problems that the northern indigenous peoples confront when dominant societies and modern economic activities penetrate deeper into their traditional territories and hamper their traditional livelihoods.

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什麼傳統?誰的領域?:從泰雅族馬里光流域傳統領域調查經驗談空間知識的轉譯
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This paper aims to discuss the translation of spatial knowledge and the social space in which the knowledge was translated. Since Native American communities successfully claimed their land rights with community map originally developed under the academic interest of geographers and anthropologists in 1970s, community mapping has been gradually applied by indigenous communities around the world and developed into diverse methodologies. In 2002, Taiwan government launched the nation-wide ITTS in response to the rising indigenous land claims, under which community mapping was designed as a main method to identify traditional territory for every indigenous community. In 2007, Taiwan government firstly announced the traditional territory of Marqwang group of indigenous Atayal people, but unexpectedly caused further conflict between Marqwang group and its neighbor Atayal communities. Aiming to explore the epistemological controversy and methodological limits of community mapping in ITTS, this paper examine how the method of ”indigenous community mapping” was translated in Taiwan society and how indigenous traditional territory was socially constructed under the influence of this translation. Further more, by review the Marqwang case, this paper examine how Atayal spatial knowledge was translated into modern concept of ”territory” in the implement of ITTS, and led to the conflicts between indigenous communities. In the end, this paper argues that the misappropriation of indigenous knowledge is the fundamental reason caused the conflicts.

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