Abstract
The study concerns lexical variations in two contemporary works published in the same city during the sixteenth century. It approaches the phenomenon of rewriting from a lexical and partially philological point of view by mobilizing notion of «ideolecte», borrowed from sociolinguistics. It points out an ideological convergence between two works written in Lyon during the 1540s containing out marriage love stories: Les Comptes amoureux (c. 1542), collection of short stories writed by certain Jeanne Flore, and Philandre (1544), chivalric novel invented by Jean des Gouttes. The signals which use writers of Comptes amoureux and Philandre to dispute Christian vision of couple proceed by use of same lexemes and of quasi-synonyms. Tacking back terms practice, detectable in particular in two passages translating the same Italian source, goes beyond simple editorial variants operated in printers’ workshops: it conveys a contesting of coercive frame of marriage and a defense of freedom for persons and of sexual intercourse.
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