Abstract
The present study has been motivated by the singularity of the sounds art with regard to process of cultural consumption. It´s explained the heterogeneity of musical consumption and specifically its repercussion about structuration of young people´s identities. The research of young people´s significations with respect to a polemic and consumed rhythm: reggaeton was necessary because thanks to that a classification of musical consumption is created and the same time the distinctions related with this process are exposed. Santiago de Cuba city was the initial point of this work, although the results are certainly extended to others spaces.
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