Abstract
Johan Mijail (1990), born in the Dominican Republic, stands out a trans performer who systematically seeks to destabilize heteronormative culture and colonial legacies ingrained in the politics of race, gender, and sexuality. In her most famous performance Amor vegetal (2015), the naked artist does headstands while inserting small branches, leaves or flowers in her rectum. By placing the “obscene” at the center of her work, Mijail creates alternative knowledge that challenges traditional values of homophobia, Catholicism, and fear of Blackness, all located at the heart of libidinal politics in Abya Yala. In Amor vegetal the artist creates a procto-poetics of the obscene through excess, which offers up the anus/ass as a transfeminist, decolonial, and countersexual axis.
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