Decoding Harry Partch’s Aesthetic: Satire, Duality, and Water! Water!

Abstract

Research Article| July 01 2017 Decoding Harry Partch’s Aesthetic: Satire, Duality, and Water! Water! Andrew Granade Andrew Granade Andrew Granade is an associate professor of musicology at the University of Missouri-Kansas City Conservatory of Music and Dance. He is the author of Harry Partch, Hobo Composer (2014), and his articles on Partch have appeared in the Journal of the Society for American Music, Music and the Moving Image, and The Grove Dictionary of American Music, second edition. Search for other works by this author on: This Site Google American Music (2017) 35 (2): 172–196. https://doi.org/10.5406/americanmusic.35.2.0172 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Andrew Granade; Decoding Harry Partch’s Aesthetic: Satire, Duality, and Water! Water!. American Music 1 January 2017; 35 (2): 172–196. doi: https://doi.org/10.5406/americanmusic.35.2.0172 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressAmerican Music Search Advanced Search The text of this article is only available as a PDF. Copyright 2017 by the Board of Trustees of the University of Illinois2017 Article PDF first page preview Close Modal You do not currently have access to this content.