Abstract

This article analyzes Cuban novels Memorias del subdesarrollo (1965) by Edmundo Desnoes and Livadia (1999) by José Manuel Prieto in the context of two epochal historical events: the Cuban revolution and the Cuban postrevolution (or the beginning of the so-called Special Period). The essay explores the political precariousness of transitional regimes from three different points of view: epistemological, ideological, and emotional. I argue that transitional periods call for new modes of representation where the past and the uncertainty of the future coalesce to form nihilistic spaces, or to open up the possibility for new modes of narration.

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