Abstract
David K. Coley (Associate Professor of English, Simon Fraser University, British Columbia) has produced an intriguing new book examining the four poems of the Pearl Manuscript, Cotton Nero A.x. – Pearl, Cleanness, Patience, and Sir Gawain and the Green Knight – in the context of late-medieval English and European plague treatises, texts, and discourses. Coley considers the Black Plague as a cultural trauma, which deeply affected the poet, who, motivated either by subconscious post-traumatic feeling or conscious artistry, used the same language and exempla used in plague texts in key passages of his poems. Coley indicates that his goal in the book <?page nr="470"?>is “to investigate how the history of the medieval plague experience might be simultaneously forgotten and remembered in late medieval literature” (5) and, more specifically, to examine:
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