Dans « l’aveugle citerne des yeux ». Quelques réflexions sur la présence de la photographie dans les vers et dans la poétique de Lorand Gaspar

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A significant part of Lorand Gaspar’s poetic approach is displayed in his reflections and representations that incorporate suggestions concerning his photographic practice. These elements reveal some important aspects of Gaspar’s epistemological and existential movement. Reading Gaspar’s poems is thus akin to exploring a dimension in which he responds to a “biological” need to see in order to orient himself both metaphorically and physically. In our study, we wish to highlight the photographer’s posture that Lorand Gaspar adopts even when he writes in verse, illustrating his predilection for certain themes strictly linked to the semantics of photography.