Dangerous to themselves and others: the Victorian debate over the prevention of wrongful confinement.

Abstract

Wilkie Collins's Victorian novel The Woman in White contains a scene in which the hero unknowingly aids the woman of the title, Anne Catherick, to escape from an asylum. When he learns that she was an escaped patient, he reflects on his action: “what had I done? Assisted the victim of the most horrible of all false imprisonments to escape; or cast loose on the wide world of London an unfortunate creature, whose actions it was my duty, and every man's duty, mercifully to control?” The question was one which, less directly, confronted Victorian society as a whole. The nineteenth century saw the rapid expansion of an asylum system designed “mercifully to control” the insane, a development of which many Englishmen felt proud. Yet this pride was often accompanied by an endemic, nagging fear that persons were being improperly confined in asylums. Occasionally, the exposure of some apparently egregious case of wrongful confinement raised these fears to epidemic proportions and produced what the Victorians called “lunacy panics.” These outbursts of public rage symptomized the tensions within a society determined to ban the mad from its midst, yet uncertain of the boundaries of madness, skeptical of the abilities of those it had chosen to draw those boundaries, and undecided as to the actual purposes of confinement. Indeed, the Victorians never clearly established what they meant by “wrongful” confinement. At times they seemed to mean the confinement of the sane; at other times they seemed to include those who were insane but not manifestly dangerous.