Abstract
This paper explores the thematic content of a painting by Salvador Dalí in homage to artist Mark Rothko, completed after the latter’s suicide. The manifest title of the work suggests respect for Rothko, but the latent intent of the painting, the author suggests, is more of a memoriam to Rothko in a complex identification with him. Among other psychological issues, the author elaborates on two factors that may have played a part in Dalí’s artistic reaction to Rothko’s suicide: the death of the artist’s infant brother nine months before his own birth, and his lifelong struggle against fusion with the victim (Orgel 1974a, 1974b).
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
