Abstract
The work of Daghestanis predominates among the examples of silversmithing and armoring by craftsmen from the Caucasus during the late nineteenth and early twentieth centuries in museum collections in Moscow, Leningrad, and cities of the northern Caucasus and Transcaucasia. Is this accidental, or is it the reflection of a definite process that occurred in the history of crafts in the Caucasus? A definite answer can be given to this question only when one has studied a very interesting phenomenon in the life of the Daghestani masters - immigrant labor.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
