Abstract
Digital archaeology is both a pervasive practice and a unique subdiscipline within archaeology. The diverse digital methods and tools employed by archaeologists have led to a proliferation of innovative practice that has fundamentally reconfigured the discipline. Rather than reviewing specific technologies, this review situates digital archaeology within broader theoretical debates regarding craft and embodiment; materiality; the uncanny; and ethics, politics, and accessibility. A future digital archaeology must move beyond skeuomorphic submission and replication of previous structural inequalities to foment new archaeological imaginaries.
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