Abstract

The July 1974 invasion of Cyprus by Turkey caught the Greek Colonels (1967–74) off guard, as they proved entirely incapable of responding to the casus belli, partly provoked by their own actions. Greece remained technically in the state of military mobilisation for about four months and with the democratic transition well underway. This article catalogues the ways in which this conflict mobilised Greek civil society in unprecedented ways. Using oral testimonies, press clippings and three major documentaries of the time (Nikos Koundouros’ The Songs of Fire, Michael Cacoyannis’ Attila 74, and Nikos Kavoukidis’ Testimonials), the article dissects the cultural resistances against the war in one of the most traumatic moments in contemporary Greek history. It analyses the gigantic concerts that took place in the largest stadiums of Athens to protest the war, next to mass demonstrations and popular films protesting the invasion. It argues that these cultural events and artifacts re-enacted facets of the anti-Vietnam War movement and the respective countercultural scene in the US of the late 1960s. The article concludes that these modes of cultural and political resistance activated post-authoritarian Greek civil society, renegotiating the parameters of political participation and partly resetting the agenda of the country’s foreign policy following popular demand.

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