Abstract
Recent decades have seen a proliferation of literature on creativity, with no consensus about what it consists of. Chinese and Russian contributions throw new light on these debates because of their concern with economic and human development. By integrating this with the widely-used concept of the “creative industries,” a rigorous concept of creativity rooted in the notion of creative labor is proposed. This can be defined as non-mechanical labor which, in conjunction with Information and Communication Technology (ICT), has produced a mass market in products embodying the use-value of distinctness. The creative industries then emerge as a branch of the division of labor making intensive use of creative labor in combination with mental objects, such as scientific and artistic products. Software, itself a mental object, is an “instrument of mental production” in these industries, helping explain their potential contribution to human development, and the obstacles to this potential imposed by the commodity form.
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