Counterpublic and counterprivate: Zoe Leonard, David Wojnarowicz, and the political aesthetics of intimacy

Abstract

In this paper we explore the space that dyadic intimacy plays within the counterpublic world-building of political activism. We reflect on a particular encounter between the artists and ACT UP activists Zoe Leonard and David Wojnarowicz by offering two readings of what we call the “counterprivate” relation between the two. In the first part of our argument, we contend that the counterprivate couple form (found in our case study of Leonard and Wojnarowicz) occasions a space of provisional leave from the normative affective, aesthetic, and identity-based impulses which tend to emerge in social movement group formation. Despite established critiques of the private, dyadic intimacy of the couple within social movement theory and queer and feminist cultural studies, we highlight the value of counterprivate couples – not in place of the collective world-building that is made possible by political organizing and collective identity, but as a necessary aesthetic complement to collective, participatory politics. In the second part of our argument, we read the intimacy between Leonard and Wojnarowicz as a private moment of expressed doubt that has subsequently been institutionalized into a public discourse through the context of art. Here the counterprivate couple form in turn becomes a counterpublic mode of collective world-making once more. This transformation from counterprivate relation to public discourse occasions a practice of collective subject formation (in the institutional terrain of art) that affirms doubt, curiosity, and poetic beauty as part of the reproductive labor involved in political participation.