Abstract
N > owadays, whenever I am asked for my thoughts on the future of holography, I become evasive. I think back to the days when I made my first holograms. It may not even occur to those artists now entering the field of holography that there was a long period when it was by no means certain, as it is now, that holography was here to stay. In those days (1968-1973), the only technology available to me, as a lone (and female) artist making holograms in Britain, was the laser transmission hologram, which could only be exhibited with specialized light sources and in darkened conditions. Although I knew that it was necessary for holography to advance beyond such primitive technology in order to have a future, I was so preoccupied with bringing to light as many ideas as I could with the technology available that I tried not to think about this obvious fact [1 ].
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