Converting and Mixing

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Abstract This article asks how familiarity with debates about the conversion of indigenous and Afro-Latin Americans, as well as about colonial mixing, can contribute to illuminating discussions regarding the experiences of former Jews in Iberian territories. The aim is not to survey similarities and differences but instead to highlight questions that have preoccupied historians of Latin America yet have not been central to those studying the Jewish experience. This method shows that, on both sides of the ocean, memory and forgetfulness played major roles because at stake in both conversion and mixing was a struggle not only over the present and the future but also over the past. Oblivion might have been necessary to ensure a new beginning, yet recollection was constantly invoked as individuals and groups remembered (or allegedly forgot) who they and others had been.

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  • Medicine
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Clinical and laboratory manifestations and outcome of systemic lupus erythematosus (SLE) may vary in different populations. A prospective multinational inception cohort should prove useful in identifying the influence of ethnicity on the clinical characteristics of SLE. We therefore analyzed clinical, laboratory, and prognostic variables in Latin American SLE patients with disease of recent onset who were entered into a prospective cohort, and compared these variables in the cohort's 3 major ethnic groups. Thirty-four centers from 9 Latin American countries participated by randomly incorporating SLE patients within 2 years of diagnosis into a standardized database. Participating centers were selected for their expertise in diagnosing and managing SLE. We were then able to evaluate prospectively socioeconomic variables, ethnicity, type of medical care, clinical and laboratory features, disease activity, damage, and mortality at each site. A coordinating center controlled the quality of the information submitted. Of the 1,214 SLE patients included in the cohort, 537 were mestizos, 507 were white, and 152 were African-Latin American (ALA). (There were also small numbers of pure Amerindian and oriental individuals.) Significant differences were found between them in socioeconomic characteristics, type of care, and level of education favoring whites. Mestizos and ALA were younger at onset. Delay to diagnosis and disease duration was shorter in ALA. Fever was more frequent in whites; discoid lesions in ALA; renal disease and lymphopenia in mestizos and ALA. Although we found differences in background variables between ethnic groups from different countries, mestizos from 2 distant countries (Argentina and Mexico) were clinically akin and showed similar differences to whites. Mortality was associated with lower education, poor medical coverage, and shorter follow-up. In an exploratory model nonwhite ethnicity was associated with renal disease and lymphopenia, damage, and cumulative American College of Rheumatology criteria. These differences in clinical, prognostic, socioeconomic, educational, and access to medical care features in Latin American lupus patients of 3 major ethnic groups from 9 different countries may have an impact on the patients' disease. "Hispanics," as they have come to be generically termed on the basis of language, actually constitute a markedly heterogeneous group of subjects.

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Racial and Ethnic Disparities in Breast Cancer Survival: Emergence of a Clinically Distinct Hispanic Black Population.
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  • Choice Reviews Online
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Health Disparities and Cardiovascular Disease.
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Military Struggle and Identity Formation in Latin America: Race, Nation, and Community During the Liberal Period
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The editors rightly note in relation to Wolfe’s chapter on Nica-ragua that historical actors often defied “easy assumptions about what marginalized groups ‘should’ do” (p. 10). Their insight applies to most of the contributions to this collection. Some of the alliances and antagonisms revealed here are surprising. For example, Wolfe finds that Afro-Nicaraguan Liberals in León initially supported the pro-slavery filibusterer William Walker. Peloso examines why Afro-Peruvians massacred their Chinese neighbors during the War of the Pacific, while O’Hara notes that Tarahumara Indians dealt devastating blows to the Apaches during the violent pacification of northern Mexico. Adams and Crow reveal that Indians were sometimes officially designated as unfit to serve as soldiers but served anyway. Carey interviews Kaqchikel-Mayan elders in Guatemala who remember their military service under the notorious dictatorship of Jorge Ubico as a largely positive experience that simultaneously strengthened both their ties to the nation and their ethnic identities. The authors generally do a good job of analyzing the complexities of their findings without romanticizing their subjects.The editors emphasize that military enrollment and warfare could create space for “marginal people to push forward their own agenda” and express “multiple visions of nationalism” (p. 18). Yet, much of the history recounted in these essays is tragic. Time and again, Indians were massacred. Even when labeled “friendly,” or fighting on the winning side, Indians often lost more than they gained. The armed forces provided opportunities for social mobility, yet, in this volume, the people defined as “Indian” or “black” most often ended up impoverished and excluded from the full benefits of citizenship. 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Comparative perspectives on Afro-Latin America
  • Sep 1, 2012
  • Choice Reviews Online
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Beyond Slavery: The Multilayered Legacy of Africans in Latin America and the Caribbean
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  • Hispanic American Historical Review
  • David G Sweet

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  • Research Article
  • Cite Count Icon 4
  • 10.1080/17528631.2012.629430
Rewriting the African Diaspora in the Caribbean and Latin America: beyond disciplinary and national boundaries
  • Jan 1, 2012
  • African and Black Diaspora: An International Journal
  • Robert Lee Adams

Similar to the black subjectivity dilemmas discussed by W.E.B. Du Bois and Ralph Ellison in the US context, Afro-Latin Americans are caught between the paradoxical tensions of hyper-visibility and invisibility. In the imagined community narratives of Latin America, the presence of Afro-Latin Americans and their societal contributions are rendered invisible in the name of national unity. This article begins by exploring how the colonial imagined communities in the region erased Afro-Latinos. As Latin America achieved independence in the nineteenth century, color-blind nationalism functioned to differentiate Latin American identity from explicitly racialized North American identity. In contrast, Latin American Blacks have been hyper-visible subjects for North American social scientists for more than a century. Utilizing extensive archives of colonial documents, the Afro-Latin American subject emerged as a key research site to examine socio-cultural change. Over time, different disciplines took turns leading the debate, illuminating the significant Afro-Latino impact on national formations and cultural practices. These contradictory genealogies frame the diverse discussions gathered in this special issue on Afro-Latin America. The collection illuminates many of the themes, countries of focus, and theoretical approaches emerging in contemporary Afro-Latino studies. As a result, social scientists, including those represented here, are actively rewriting some of the foundational assumptions about the Afro-Latino subject.

  • Research Article
  • 10.1353/hpn.2024.a929130
Archiving, Curating and Teaching Afro-Latin American Film
  • Jun 1, 2024
  • Hispania
  • Bridget V Franco

Abstract: Working at the intersections of Latin American film studies, Afro-Latin American studies, digital humanities (DH), and decolonial pedagogical praxes, this article aims to engage with educators interested in teaching about Afro-descendant representation, antiracist audiovisual productions, the legacy of the African diaspora in Latin America, and the diverse perspectives of Afro-descendants in the region—through the lens of Latin American film and media. In dialogue with calls to decolonize traditional film and media studies curricula, this article critically analyzes the scholarly, archival and digital landscapes of resources focused on Black representation in Latin American cinemas and Afro-Latin American media makers. I identify some of the archival and curatorial exclusionary practices that affect the visibilization of Afro-descendant representation and productions within national cinematecas from the region. Finally, I share a digital humanities project designed to amplify Afro-descendant representation and filmmakers in Latin American cinemas through the curation and creation of resources that center Black voices, experiences, and communities.

  • Book Chapter
  • 10.4324/9781315162935-21
Afro-Latino-América
  • Dec 7, 2018
  • Deborah Bush + 11 more

This chapter provides an overview of Afro-descendant activism in Latin America with specific attention to the situation in Colombia, Costa Rica, Honduras, and Nicaragua. It outlines the forms of structural racism and invisibilization to which Afro-Latin Americans are subjected, and the ways in which activists are attempting to dismantle the forms of disadvantage and discrimination, with a particular focus on media activism. While policies of whitening have been thoroughly discredited and long abandoned, the attitudes associated with them persist, generating a process of internal colonialism and endoracism that exists to this day. The legacy of such prejudices can be seen in ongoing forms of Afro-descendant exclusion and marginalization throughout the continent and the greater social mobility enjoyed by people who are lighter-skinned. Some Afro-Latin Americans, particularly those who are urban-based, do, however, consciously adopt a diasporic identity.

  • Book Chapter
  • 10.4324/9781003159247-8
Logbook to Describe the Routes of Afro-Latin American Literature1
  • Sep 13, 2022
  • Nevis Balanta Castilla

In the present text, we understand Afro-Latin American literature as that which vindicates the Black and Afro universe cultivated by Black writers who affirm and revalue that universe. We have identified four major subregions of Afro-Latin American literature: (1) the insular Caribbean, (2) the continental Caribbean, (3) Brazil, and (4) the Pacific coast. From this perspective, in the first subregion we find three main countries – Cuba, Puerto Rico, and the Dominican Republic – plus the French-speaking islands, especially Martinique. The second subregion encompasses the Colombian Caribbean, Venezuela, and the countries of Central America. In the third subregion is Brazil, with the influence of its literature on the country-continent, and in the fourth subregion is the literature by writers from the Latin American Pacific Rim. In the description and explanation of the map of Afro-Latin American literature, authors and works that we consider key in its canon and history stand out. We believe that authors already recognized continue to stand out, and that others are worth being rediscovered or recognized with a renewed perspective on Afro-Latin American literature. The literary works that speak of the Afro-Latin American universe range from the classic Cantos populares de mi tierra, Tuntún de pasa y grifería, Motivos de son, and Sóngoro cosongo, Cuaderno de un regreso al país natal, through Juyungo, El reino de este mundo, and Tambores en la noche, to Quarto de despejo, Changó, el gran putas, La décima en el Perú, Malambo, and Las estrellas son negras, among others. We also include oral literature. In this case, it is a literary type removed from individual authorship, since its author is the people, insofar as it is rooted in the communal sense that pervades in the Afro worldview. A map of Afro-Latin American literature involves tracing the route it has followed in its evolution in Latin American nations, especially in those where the Black population has had a substantial impact on their culture and social practices. Although not exhaustive, this is the subject matter of this work.

  • Research Article
  • 10.1353/hpn.2015.0145
Oshun Daughters: The Search for Womanhood in the Americas by Vanessa K. Valdés (review)
  • Dec 1, 2015
  • Hispania
  • Dawn Duke

Reviewed by: Oshun Daughters: The Search for Womanhood in the Americas by Vanessa K. Valdés Dawn Duke Valdés, Vanessa K. Oshun Daughters: The Search for Womanhood in the Americas. Albany: SUNY P, 2014. Pp. 209. ISBN 978-1-43845-043-8. Oshun’s Daughters by Vanessa Valdés argues that African-based religious manifestations that feature contemporary forms of womanhood, when incorporated into literature from Brazil, Cuba, and the United States, have allowed for the development of differential configurations of the female figure. This is not a new line of thought and there is already considerable published research on the topic of African-based spirituality in literary imagery, especially in Afro-Latin American writings. As Valdés’s bibliography indicates, DeCosta Willis, Feracho, Ferreira-Pinto, Oliveira, Duke, Chancy, Marting, among others, have studies on the employment of Yoruba deities as a literary device. Valdés’s contribution is to unite major works by a diverse group of women writers in English, Portuguese, and Spanish, that clearly develop this pattern in relation to their configuration of the female experience. What is also worthy is that these are not only Afro-Latin American writers, rather, reflective of the major literary genres associated with women’s writings in the Americas today: African American, Afro-Hispanic, Latino, Cuban, Afro-Brazilian, and so on. The writers are Audre Lorde, Sandra María Esteves, Ntozake Shange, Cristina García, Loida Maritza Pérez, Nancy Morejón, Daína Chaviano, Helena Parente Cunha, Sônia Fátima da Conceição, and Conceição Evaristo. This study is broadening the scope and reach of a literary phenomenon previously associated with black literature. Valdés proposes that the literary engagement of African-originated belief allows for a shifting away from the classic Western models of virgin, asexual wife or mother, and whore, replacing them with less rigid depictions such as a caring mother who is not self-sacrificing, or a less categorical warrior woman. Paradigms of her argumentation include Yoruba spiritual traditions, gender in Africa and the Americas, identity studies in the diaspora, and comparative ideas on the Yoruba and the Catholic belief structures. The Yoruba deity, Oshun, has multiple designs and joins or replaces Eve, the Virgin Mary, and Mary Magdalene in a discussion that focuses on the complex literary configurations of the female characters. Latino, Afro-Latin American, Latin American, and North American works of both poetry and prose appear together, a somewhat ambitious project, perhaps problematic given the structural differentiations of these two genres. Is the intention to propose that they share a common project of literary transformation? Chapter 1 presents Puerto Rican American writer Sandra María Esteves, West Indian American writer Ntozake Shange, and African American Audre Lorde and argues that Oshun as a literary presence extends beyond the black female experience in the United States. Writers employ a broad and expansive approach that starts in Africa as place of origin and then moves into the Americas as place of incorporation. Spiritual entities function as devices that unify the major identity markers of race, gender, and sexuality. In Lorde’s poetry, deity and spirituality are weapons against violence, racism, sexism, homophobia, and patriarchalism. Yemanja, Oshun, Oya, and Eshu imagery mirror black womanhood, motherhood, and the Afro-Caribbean and African-American experience. They help to transcend difficulty and design a black female discourse, a deliberate intention underlying Lorde’s writing as a black Lesbian warrior poet. Esteves’s [End Page 838] poetry fits into the genre of Nuyorican writing and originates in the Puerto Rican trauma of being dwellers in an in-between space, as colonial islanders and marginalized mainland immigrants. Esteves constructs a spirit of survival, envisions this diasporic experience optimistically, for evolution and improvement are inevitable. In her anthology Yerba buena (1980), the Yoruba deity is a marker of origins, ancestrality, nature, and traditions that appear through the female body as healing or magic. Shange’s Sassafrass, Cypress and Indigo (1982) presents characters who take part in rituals and who view these as valuable because they originate in Africa and are both ancestral and potentially magical. Such rituals provide access to the spiritual world, allow relatives to pay homage to the...

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