Abstract
This article aims to reveal the various representations of modernity and postmodernity in Christopher Nolan’s Batman Begins (2005), The Dark Knight (2008) and The Dark Knight Rises (2012). Across all three movies, it is asserted that Batman’s values correspond to modernity specifically in terms of his self-reflexive construction of the hero persona and his relationship with Gotham city. Furthermore, the way in which the villains confront Batman in a deconstructionist manner corresponds to the postmodern critique of modern values and constructs. What continues to make Batman a hero are precisely said to be his efforts and belief in modern values, both in his personal and social construction, despite facing endless accusations throughout the movies.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.