Abstract
SummaryThe article focuses on the representation of Milan in Massimo Bontempelli's 1920 short novel La vita operosa. In this novel the protagonist-narrator, a writer and journalist returning to Milan after the end of the war, is confronted with a city which has lost all its points of reference and has turned into a place dominated by the ethics of speed and profit. In this context, the protagonist's adventures in Milan assume the features of an ironic and self-ironic journey of discovery for the letterato who finds himself having to redefine his identity and role in a society whose taste and values have profoundly changed.
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