Come retribution: Revanchism, settler colonialism, and the geographical imagination of Donald Trump's America

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This paper analyzes Donald Trump's political rhetoric and strategy through the lens of revanchism, settler colonialism, and racial capitalism. Focusing specifically on Trump's declared intent for retribution, it situates his discourse within a longstanding geographical imagination embedded in settler-colonial logics. The paper illustrates how this rhetoric intensifies existing social inequalities and fuels reactionary political movements that seek to reinforce traditional hierarchies of race, class, and gender, which are rooted in neoliberal restructuring. Drawing on historical and contemporary examples—from Confederate symbolism invoked by Trump's supporters to racialized conspiracies propagated during electoral campaigns—the paper's analysis calls for scholars and political actors to engage with the geographic imaginaries that sustain Trumpism. By illustrating the interconnections between settler colonialism, racial capitalism, and neoliberalism this research contributes to a broader understanding of the spatial dimensions of reactionary political movements, highlighting the necessity for confronting revanchist strategies and their implications for American democracy and society.

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What is a settler‐colonial city?
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Not a Nation of Immigrants
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Political geographical perspectives on settler colonialism
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The rapidly expanding Pacific Northwest (PNW) craft beer industry and the heralding of Seattle as an epicenter of “hoppy beer” has benefited from geographic proximity to the Yakima Valley, revered by many as the “hops capital of world.” In this article, I center theory from Black studies, Native studies, and critical whiteness studies to examine the intersectional violences of settler colonialism and whiteness as structuring logics of the PNW hops and craft beer industries. Based on ethnographic fieldwork carried out between 2012 and 2019, I argue that the settler colonial history of PNW hops cultivation and present-day culture of exclusion that extends outward into relationships with craft brewers, sustain a hegemonic whiteness. Moreover, I suggest that craft beer culture in the United States, as a site of settler colonialism and racial capitalism, has benefitted from ongoing dispossession through gentrification and cultural appropriation. By way of conclusion, I discuss the possibilities and limitations of existing attempts to dismantle whiteness within the US craft beer industry.

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