Abstract

A selection of Coptic codices from the Hamuli group, in particular those in the Pierpont Morgan library, New York, are revisited. This choice can be justified: the collection is self-contained and serves as model to provide a consistent thematic overview, while at the same time introducing the reader to some codicological aspects. After a brief analysis of the codicological characteristics during the ninth and tenth centuries, the modes of dating along with a number of significant colophons are discussed.

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