Abstract
This contribution evaluates the installation of (inter)active altar assemblages in museums from the underexamined perspective of collections care practice. Based on ethnographic research at the Fowler Museum at UCLA – which has been exhibiting altars for over two decades – this article investigates the details of constructing, maintaining, documenting and conserving altars. Firstly, it examines the Fowler’s innovative use of registration categories to contend with the fluid identities, status, and functions of individual altar components referred to as “TRs”, “Props”, and “Offerings”. Secondly, it offers a comparative analysis of curatorial and conservation documentation for three entire altars – one of which was also a contemporary artwork – in the 2008 exhibition Mami Wata: Arts for Water Spirits in Africa and Its Diasporas. This study reveals challenges of exhibiting ephemeral altar assemblages, provides examples of museological innovation to meet those challenges, and highlights the vulnerabilities of such innovations that museums should consider moving forward.
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