Abstract
Abstract Transitions 3D is significant to film scholars because it is the first stereoscopic live-action IMAX film. The film also anchors important histories of Canadian film innovation and culture. From a technical perspective these histories include the development of large format cinema cameras and projection systems, early computer animation, and immersive cinema exhibition architecture. From a cultural perspective, Transitions 3D was the culmination of a prolific and wide flung collaboration of Canadian film-makers and technologists that was forged in response to the cultural mandates of the NFB and the national showcase agendas of successive world expositions. Low’s nuanced modernist ideology coupled with his sustained artistic and technical experimentation were central to these developments, driven in particular by his quest for an immersive cinema that would unite the film viewer and film subject in a stereoscopic cinematic space.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
