Abstract
Through the questioning activity of drawing this research offers a visual language exploring woven cloth as printed pattern. Drawing tools develop a dialogue for reflection and evaluation as the hand and eye communicate weave. The processes of observation and interpretation led by the drawing hand establish a challenge in relation to imitation, deception, reproduction and truth. The project confronts the abundance of digitally printed material surfaces (such as printed wood and stone) in the interiors market and develops a new pattern from cloth, for cloth.
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