Abstract
In , his publication of the 1930th, Beckett invents a curious way of quoting that we try to understand in following Derrida's ideas about writing and echo. This will permit us to reflect on Beckett's rewriting of the of Ovid and of Montale's . These two authors will bring us to the question of writing as metamorphosis and as an event at the limit of the organic and the unorganic, of sense and non-sense.
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