Abstract
Abstract This chapter provides a discussion of Chile’s interactions with Rapa Nui before, during, and after the island’s annexation, and the impact of these interactions in Rapanui music culture. It considers both the effect of Chilean cultural imports on Rapanui musical practices and the ways in which Chile has acted as a conduit to influences from a broader pan-American cultural context. The chapter explains the role of Chilean folklore in inspiring a local ensemble (or conjunto) performance style that centers on the guitar. It also describes the emergence of Tapati Rapa Nui, the island’s annual cultural festival, which was originally inspired by Chilean “spring queen” festivals.
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