Abstract

This article examines the context and content of 15 drawings created in the early 1990s by Guatemalan children who survived government-led systemic violence against their Maya Tz’utujil community. Titled Children in Crisis, all 15 drawings collected by Albert Hurwitz depict similar stories of loss and violence. Considering the relevance of producing research that recognizes stories of marginalized groups, this article engages in making visible the narratives of Maya Tz’utujil children; the events that triggered the stories of violence, loss, and resilience rendered in these drawings; and the functions these drawings served in the aftermath of systemic violence. Created as part of posttraumatic stress therapy, these drawings are, as a close examination suggests, a reaffirmation of Maya identity as an expression of collective resistance.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.