CHEKHOV’S PRINCIPLES OF ARTISTIC ORGANIZATION IN THE CREATIVE WORK OF G. MUSREPOV

Abstract

This article explores the principles of artistic organization of A. Chekhov's text and their influence on the creative work of the famous Kazakh writer G. Musrepov. The authors of the article identify the main features of the principles of the artistic organization of the text of A. Chekhov’s creative works. Additionally, the main features of the principles of the artistic organization of the text, inherent in the works of G. Musrepov are considered. The article provides a semantic and comparative analysis of the works of the two writers, on the basis of which the authors identify the main “parallels” in the works of writers. The authors, referring to the notion of artistic organization of the text, examine such categories as the main features of the writers' artistic world, plot composition of their works, the use of lexical and semantic, graphic and expressive means, as well as the specificity of spatial and temporal organization of artistic texts. The mentioned categories make up the internal form of the artistic whole of the work. The research methodology is based on the comparative and comparative-typological, as well as semantic methods of research. The authors of the article touch upon the problem of reception of A. Chekhov's work in Kazakhstan. To date little research has been devoted to this topic, so this problem requires comprehensive study and analysis. Reception of creative work from the point of view of bearers of another culture, in comparison with the national literature of Kazakhstan, will highlight and explore new facets of the Russian writer's work. The uniqueness of this study lies in a systematic analysis of the principles of artistic organization of the texts of A. Chekhov and G. Musrepov. The results obtained will be used in the framework of the PhD thesis “Reception of A. Chekhov's Creativity in Kazakhstan”.