Character Identity, Struggles, and Resilience: Acting Exploration of Selected Monologues

Abstract

This article examines the portrayal of identity, struggles, and resilience through theatrical monologues, focusing on Sizwe Bansi is Dead by Athol Fugard and Fences by August Wilson. Both plays present socio-political and socio-cultural challenges faced by black individuals in apartheid South Africa and segregated America, respectively. Through detailed analysis of selected monologues, the study explores how acting techniques are employed to convey these themes and resonate with contemporary audiences. The findings reveal that the systemic discrimination, hardships, and resilience depicted in the monologues remain relevant today, as issues such as racial injustice and inequality continue to affect black communities globally. The analysis also highlights how acting can powerfully communicate these experiences, shaping audience perceptions and encouraging social reflection. The paper concludes that theatrical acting is a potent tool for social change, allowing actors to embody and reflect the struggles and triumphs of their communities. The study underscores the need for actors to immerse themselves fully in character roles to effectively convey these complex narratives. The recommendations include encouraging actors to deepen their training through rigorous script analysis, accent mastery, and exploration of diverse acting techniques. Additionally, it suggests that future studies should continue to explore the role of theatre in addressing identity and socio-political issues, with a focus on how contemporary performances can inspire social change and personal reflection.