Abstract
Archaeological evidence from 15th to 17th century (dating from ca. A.D. 1430-1680) Caddo sites that have been investigated in the Big Cypress Creek and Sabine River basins of northeastern Texas indicate that many of the components have been identified as belonging to the Titus phase. They represent permanent, year-round, settlements of horticultural or agricultural peoples with distinctive cultural practices and material culture. The 15th to 17th century archaeological record in these two basins “refers to a number of distinctive socio-cultural groups, not a single Caddo group; these groups or communities were surely related and/or affiliated by kinship, marriage, and social interaction." There are several clusters of settlements that apparently represent parts of contemporaneous small communities. A political community as used here is a cluster of interrelated settlements and associated cemeteries that are centered on a key site or group of sites distinguished by public architecture (i.e., earthen mounds) and large domestic village areas. The Shelby Mound site is one of the premier sites in a political community centered in the Greasy Creek basin and neighboring Big Cypress Creek basin. The social and cultural diversity that probably existed among Titus phase cultural groups is matched by the stylistic and functional diversity in Titus phase material culture, particularly in the manufacture and use of fine ware and utility ware ceramics, and the ceramic tradition is the surest grounds for evaluating attribution of archaeological components to the Titus phase. It is the character of their stylistically unique material culture, coupled with the development of distinctive mortuary rituals and social and religious practices centered on the widespread use of community cemeteries and mound ceremonialism as means to mark social identities, that most readily sets these Caddo groups apart from their neighbors in East and Northeast Texas and in the Red River basin to the north and east. This article discusses the analysis of the plain and decorated ceramic sherds (focusing on the latter) from the mound deposits at the Shelby Mound site in the Robert L. Turner collection. Because of the stratified nature of the mound deposits it is possible that temporal changes in the stylistic character of the utility wares and fine wares in use at the site can be detected, and full documentation of the assemblage at Shelby Mound will be key in stylistic comparisons of the ceramic traditions among contemporaneous Titus phase communities in the Big Cypress Creek basin and the mid-Sabine River basin.
Highlights
Archaeological evidence from 15th to 17th century
The decorated sherds are dominated by utility wares—approximately 76% of the decorated sherd assemblage— sherds from jars with brushed, incised, brushed-incised, and punctated decorative elements on vessel rim and/or body, but there are a wide variety of other wet paste decorative combinations
Distinctive in the assemblage is the considerable amount of sherds from red-slipped bowls and bottles, as this is apparently a feature of western Titus phase ceramic assemblages in the Big Cypress Creek basin
Summary
Archaeological evidence from 15th to 17th century (dating from ca. A.D. 1430-1680) Caddo sites that have been investigated in the Big Cypress Creek and Sabine River basins of northeastern Texas indicate that many of the components have been identiÀed as belonging to the Titus phase. 24.0% of these sherds are from Àne wares—principally sherds from engraved vessels—and the remainder are from utility ware jars Most of these have brushed, brushed-incised, incised, and punctated decorative elements on the rim and/or the vessel body. There is only one sherd in the Shelby Mound ceramic assemblage with an appliqued-punctated decoration This is a body sherd (Unit D, level 2) from a jar with a straight appliqued ridge and an adjacent row of tool punctations. A body sherd (Unit D, level 8) has a zone of parallel brushing marks outlined by rows of tool punctations and these elements are opposed to a single straight incised line, and another has a row of tool punctates at the rim-body juncture and horizontal brushed-incised marks and lines on the vessel body (Figure 5d). The few sherds with both engraved and appliqued or punctated decorative elements are body sherds (Table 18)
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More From: Index of Texas Archaeology Open Access Grey Literature from the Lone Star State
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