Abstract
The main object of the study is residential buildings of Lviv, built by the factory of Ivan Levinsky in the early twentieth century. The analysis was preceded by the archival search and full-scale house measurement surveys. The article gives historical and architectural characteristic for Lviv secession (modern) style in the late XIX – early XX centuries. The research reveals the originality of this phenomenon, its volume and spatial solutions, explores expressive means of the image-plastic system of secession.
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