Book Review: Orienting to Chance. Probabilism and the Future of Social Theory by Strand M. and Lizardo O. StrandM.LizardoO.Orienting to Chance. Probabilism and the Future of Social Theory. Chicago: The University of Chicago Press, 2025.

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Book Review: <i>Orienting to Chance. Probabilism and the Future of Social Theory</i> by Strand M. and Lizardo O. StrandM.LizardoO.Orienting to Chance. Probabilism and the Future of Social Theory. Chicago: The University of Chicago Press, 2025.

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  • Marvin D Leavy

The University of Chicago (UC) Press was a major catalyst in the rise of the University of Chicago's Department of Sociology to preeminence by 1920 in American, indeed international, sociology. The role of the UC Press in this development has been overlooked, even though a majority of books and articles written by Albion Small, W. I Thomas, their cohort, and their students in this period bore the UC Press imprint. Editorial control of theAmerican Journal of Sociology, founded by Small in 1895, was exercised within the UC Department of Sociology due to its publication by the UC Press. The University's support through its scholarly press was vital in establishing nationwide recognition and scholarly authority for “Chicago Sociology” within the fledgling discipline. *** DIRECT SUPPORT *** A05BB023 00003

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Themes in Chinese Communist Films
  • Apr 1, 1966
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  • John H Weakland

American AnthropologistVolume 68, Issue 2 p. 477-484 Free Access THEMES IN CHINESE COMMUNIST FILMS1 JOHN H. WEAKLAND, JOHN H. WEAKLAND Mental Research Institute, Palo Alto, CaliforniaSearch for more papers by this author JOHN H. WEAKLAND, JOHN H. WEAKLAND Mental Research Institute, Palo Alto, CaliforniaSearch for more papers by this author First published: April 1966 https://doi.org/10.1525/aa.1966.68.2.02a00150Citations: 4 1 The gathering of data for this study was assisted by Studies in International Conflict and Integration, Stanford University, and their analysis by Contract N60530-11070 from the United States Naval Ordnance Test Station, China Lake, California. AboutPDF ToolsExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL REFERENCES CITED Bateson, Gregory 1943 Cultural and thematic analysis of fictional films. Transactions of the New York Academy of Science, Ser. Ii, 5, No. 4, 72– 78. Bateson, Gregory 1945 An analysis of the film Hitlerjunge Quex. New York, Institute for Intercultural Studies, 1945 (mimeo). Belo, Jane 1953 The father figure in Panique. In M. Mead and R. Metraux (eds.), The study of culture at a distance. Chicago, University of Chicago Press. Benedict, Ruth 1946 The chrysanthemum and the sword. Boston, Houghton Mifflin. Erickson, Erik H. 1950 The legend of Maxim Gorky's youth (a study of the Soviet film, The Childhood of Maxim Gorky). In Childhood and society. New York, W. W. Norton. Gorer, Geoffrey 1953 Notes on La Belle et la Bête. In M. Mead and R. Metraux (eds.), The study of culture at a distance. Chicago, University of Chicago Press. Haley, Jay D. 1953 Communication and the film, a content analysis of “David and Bathesheba” Stanford University ( M.A. Thesis). Honigmann, J. and Van Doorslaer, M. 1955 Some themes from Indian film reviews. Studies in Pakistan national culture, No. 2. Institute for Research in Social Science, University of North Carolina, 1955 (mimeo). Kracauer, S. 1947 From Caligari to Hitler. Princeton, Princeton University Press. Mead, M. 1953 Plot summary of the Soviet film The Young Guard, In M. Mead and R. Metraux (eds.), The study of culture at a distance. Chicago, University of Chicago Press. Meadow, Arnold 1944 An analysis of Japanese character structure (Based on Japanese film plots and Thematic Apperception Tests). New York, Institute for Intercultural Studies, (mimeo). Metraux, Rhoda 1953 Introduction to “Five examples of film analaysis” In M. Mead and R. Metraux (eds.), The study of culture at a distance. Chicago, University of Chicago Press. Schwartz, Vera 1953 Comparison of the film and novel of The Young Guard. In M. Mead and R. Metraux (eds.), The study of culture at a distance. Chicago, University of Chicago Press. Weakland, J. H. 1953a An analysis of seven Cantonese films. In M. Mead and R. Metraux (eds.), The study of culture at a distance. Chicago, University of Chicago Press. Wolfenstein, Martha 1953a Movie analysis in the study of culture. In M. Mead and R. Metraux (eds.), The study of culture at a distance. Chicago, University of Chicago Press. Wolfenstein, Martha 1953b Notes on an Italian film, The Tragic Hunt. In M. Mead and R. Metraux (eds.), The study of culture at a distance. Chicago, University of Chicago Press. Wolfenstein, Martha, and Leites, N. 1950 Movies: a psychological study. Glencoe, Ill., The Free Press. Wolfenstein, Martha, and Leites, N. 1954 Plot and character in selected French films. In R. Metraux and M. Mead (eds.), Themes in French culture. Stanford, California, Stanford University Press. Wolfenstein, Martha, and Leites, N. 1955 Trends in French films. Journal of Social Issues 11, No. 2: 42– 51. (2) Chinese and Chinese Communist Patterns. Bunzel, R. and Weakland, J. H. 1952 An anthropological approach to Chinese communism. New York, Columbia University Research in Contemporary Cultures (mimeo). Weakland, J. H. 1950 The organization of action in Chinese culture. Psychiatry 13: 361– 70. Weakland, J. H. 1953b Chinese family images in international affairs. In M. Mead and R. Metraux (ed.), The study of culture at a distance. Chicago, University of Chicago Press. Weakland, J. H. 1956a Lusin's Ah Q; a rejected image of Chinese character. Pacific Spectator 10: 137– 146. Weakland, J. H. 1956b Orality in Chinese conceptions of male genital sexuality. Psychiatry 19: 237– 247. Weakland, J. H. 1958 Family imagery in a passage by Mao Tse-tung: a study in psycho-cultural method. World Politics 10: 387– 107. Citing Literature Volume68, Issue2April 1966Pages 477-484 ReferencesRelatedInformation

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Click to increase image sizeClick to decrease image size Notes 1 Giorgio Agamben argued that the executive (presidential order) issued on 13 November 2001, which authorized indefinite detention and trial by military commission (not tribunal) of noncitizens involved in terrorist activities, constituted a state of exception. This order went further than the Patriot Act (26 October 2001) which allowed seven days' detention of suspicious ‘aliens’. The order produced ‘detainees’ (from captured Taliban in Afghanistan) not subject to American law or the Geneva Convention for POWs. With neither legal identity nor personhood such detainees were nationally and internationally unrecognizable or illegible. Giorgio Agamben, State of Exception, trans. Kevin Attell (Chicago and London: University of Chicago Press, 2005), pp.3–4. For an extended discussion of ‘bare life’, see Giorgio Agamben, Homo Sacer: Sovereign Power and Bare Life, trans. Daniel Heller-Roazen (Stanford: Stanford University Press, 1998). 2 Orlando Patterson, Slavery and Social Death: A Comparative Study (Cambridge, MA. and London: Harvard University Press, 1982), pp.5–14 and 35–76. Judith Butler makes passing use of Patterson's phrasing of nineteenth century slavery to describe life not framed as grievable in post-9/11 conflict. See Judith Butler, Frames of War: When is Life Grievable (London: Verso, 2009), p.44. 3 Marianne Hirsch, ‘Nazi Photographs in Post-Holocaust Art: Gender as an Idiom of Memorialization’, in Phototextualities: Intersections of Photography and Narrative, eds, Alex Hughes and Andrea Noble (Albuquerque: University of New Mexico Press), pp.19–40; Dominick LaCapra History in Transit: Experience, Identity, Critical Theory (Ithaca: Cornell University Press, 2004), pp.106–143. 4 Susannah Radstone, ‘Social Bonds and Psychical Order: Testimonies’, Cultural Values, 5.1 (2001), p.61. 5 Amy Hungerford, ‘Memorizing Memory’, The Yale Journal of Criticism, 14.1 (2001), pp.78–83; and The Holocaust of Texts: Genocide, Literature, and Personification (London and Chicago: University of Chicago Press, 2003). 6 Ruth Leys, Trauma: A Genealogy (Chicago: University of Chicago Press, 2000), pp.269–297; Shoshana Felman, ‘Education and Crisis, or the Vicissitudes of Teaching’, ‘After the Apocalypse: Paul de Man and the Fall to Silence’, ‘The Return of the Voice: Claude Lanzmann's Shoah’, in Testimony: Crises of Witnessing in Literature, Psychoanalysis, and History, eds, Shoshana Felman and Dori Laub (London and New York: Routledge, 1992), pp.1–56, pp.120–64, pp.204–83; Cathy Caruth, ‘Trauma and Experience: Introduction’, Trauma: Explorations in Memory (Baltimore: Johns Hopkins University Press, 1995), pp.3–12; Cathy Caruth, Unclaimed Experience: Trauma, Narrative, and History (Baltimore: Johns Hopkins University Press, 1996). 7 Dominick LaCapra History in Transit, pp.115–27; Dominick LaCapra, Writing History, Writing Trauma (Baltimore: Johns Hopkins University Press, 2001), pp.23–4, 27–8, 30, 35, 37, 41, 46, 48, 59, 64–5, 77. 8 Primo Levi, The Drowned and the Saved, trans. Raymond Rosenthal (London: Abacus, 1988). 9 Gillian Rose, Mourning Becomes the Law (Cambridge: Cambridge University Press, 1996), pp.41, 43, 46. 10 Maria Torgovnick, The War Complex: World War II in Our Time (Chicago and London: University of Chicago Press, 2005), pp.68–9. 11 Dean Franco, ‘What we talk about when we talk about Beloved’, Modern Fiction Studies, 52:2 (2006), pp.417–29. 12 Edward P. Jones, The Known World (London: Harper Perennial, 2004), pp. 166–74. 13 For example, Don DeLillo, Falling Man (New York: Scribner, 2007); John Updike, Terrorist (New York: Knopf, 2006); Jess Walter, The Zero (New York: Regan, Harper Collins, 2006). 14 Jonathan Safran Foer, Extremely Loud and Incredibly Close (London: Penguin, 2006), pp.187–9 and 208–16. 15 Laura Frost, ‘Still Life: 9/11’s Falling Bodies', in Literature after 9/11, eds, Ann Keniston and Jeanne Follansbee Quinn (London and New York: Routledge, 2008), p.186; for a discussion of post-9/11 trauma and temporality in Foer's work, see Mitchum Huehls, ‘Foer, Spiegelman, and 9/11’s Timely Trauma's, in Literature after 9/11, eds, Ann Keniston and Jeanne Follansbee Quinn (London and New York: Routledge, 2008), pp.42–59. 16 Jenny Edkins, ‘Ground Zero: Reflections on Trauma, In/distinction and Response’, Journal for Cultural Research, 8:3 (2004), pp.247–70. See also Mark Wigley, ‘Insecurity by Design’, in After the World Trade Center: Rethinking New York City, eds, Michael Sorkin and Sharon Zukin (London and New York: Routledge, 2002), pp.71–3, 75–6, 80–1, 82–4; Eric Darton, ‘The Janus Face of Architectural Terrorism: Minoru Yamasaki, Mohammed Atta, and Our World Trade Centre’, in After the World Trade Centre, pp.88–9, 90–1. 17 Jean Baudrillard, ‘L'Esprit du Terrorisme’, in South Atlantic Quarterly: Dissent from the Homeland, eds, Stanley Hauerwas and Frank Lentricchia, 101:2 (2002), pp. 407, 405, 405–6, 409, 409–14. 18 W. J.T. Mitchell, Cloning Terror: The War of Images, 9/11 to the Present (Chicago and London: University of Chicago Press, 2011), pp.xi-xix. 19 David Simpson, 9/11: The Culture of Commemoration, (Chicago and London: University of Chicago Press, 2006), pp.8–11. 20 Valerie Martin, Property (London: Abacus, 2009), pp.3–5. 21 Susan V. Donaldson, ‘Telling Forgotten Stories of Slavery in the Postmodern South’, The Southern Literary Journal, 40:2 (2008), p.279. 22 Valerie Martin, Property, pp. 109, 137–8, 166, 170, 205, 207–9. 23 Susan V. Donaldson, ‘Telling Forgotten Stories of Slavery in the Postmodern South’, p.273. 24 Valerie Martin, Property, pp.82–3. 25 Valerie Martin, Property, p.74. 26 Susan V. Donaldson, ‘Telling Forgotten Stories of Slavery in the Postmodern South’, p.279. 27 For a discussion of intimacy and subjection in slave narratives, see Christina Sharpe, Monstrous Intimacies: Making Post-Slavery Subjects (Durham and London: Duke University Press, 2010), pp.13–26. 28 For a similar reading of this scene, see Susan V. Donaldson, ‘Telling Forgotten Stories of Slavery in the Postmodern South’, pp.274–5. 29 Judith Butler, Frames of War, pp.1, 4–5, 7–10, 12–15, 23 29, 45, 51, 72–5, 78–80, 95–5. 30 Toni Morrison, A Mercy (London: Vintage, 2009), pp.8–11, 25–26, 20, 30 31 Toni Morrison, A Mercy, pp.141–2. 32 Donald E. Pease, The New American Exceptionalism (Minnesota and London: University of Minneapolis Press, 2009), pp.155, 157–8, 160–1, 168–9, 170–1, 173–5, 178, 183. Adriana Caverero has noted, for example, that the postures of the tortured and torturers, the enforced tableaux of torture, are quotations from an archive of the history of torture, or more precisely of iconic images (from Nazi Germany and the Ku Klux Klan's regimes of terror in the American South) that have been spectacularly disseminated. To quote Caverero: ‘What stands out in them is a spectral caricature of torture reduced to the level of filthy farce. Phantasmic copies… [in which] the Abu Ghraib tormenters and their victims appear as spectres’. In the case of Abu Ghraib, power only reveals itself in terms of caricature, or bad theatre. For Caverero, the unmasking of the illegality of torture is secondary to this structural revelation: that torture is spectral, fictitious, and that miming torture before the camera masks torture off-set. The global reach of the images from Abu Ghraib, the excessive visuality of the event, became the perfect means by which power represented itself to itself. Adriana Caverero, Horrorism: Naming Contemporary Violence, trans. William McCuaig (New York: Columbia University Press, 2009), p.111. 33 On the frame's subsumption of power in the case of the Abu Ghraib photographs, see Judith Butler, Frames of War, pp.72–5, 78, 94–5; on overcoming the frames that we ratify, see pp.99–100; on the ethical act, see p.180. Dora Apel has argued something similar in her examination of the twenty-first-century legacy of lynching in American culture. The exhibition of the photographic images, taken between 1880 and 1960, of lynching, and the publication of those images, between 2000–2002 has informed a new-found sensitivity to racist violence in the present that bears the hallmarks of lynching (the significance of which is often ignored by police authorities). The dissemination of these images has also been a spur to the historical consciences of white audiences in prompting them to think through their relationship with their counterparts: photographed enthusiastic, voyeuristic white onlookers and perpetrators. However, in a post-9/11 cultural environment in which the signifier of ‘terrorism’ has come to describe and define a range of violent acts, the location of terror in past and present acts of lynching has often lent unqualified support to the fight against terror abroad in terms of American foreign policy in Afghanistan and Iraq. In other words, the identification of social death on American soil does not necessarily encourage moral conduct in theatre of war. See Dora Apel, ‘On Looking: Lynching Photographs and Legacies of Lynching after 9/11’, American Quarterly, 55:3 (2003), pp.457–478. 34 Michael Rothberg, Multidirectional Memory: Remembering the Holocaust in the Age of Decolonisation (Stanford: Stanford University Press, 2009), pp.12–16.

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Language and Area Studies: East Central and Southeastern Europe, A Survey. Edited by Charles Jelavich. Chicago and London: University of Chicago Press, 1969. xix, 483 pp. $11.50. - East Central Europe: A Guide to Basic Publications. Edited, with a preface, by Paul L. Horecky. Chicago and London: University of Chicago Press, 1970. xxv, 956 pp. $27.50. - Southeastern Europe: A
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Language and Area Studies: East Central and Southeastern Europe, A Survey. Edited by Charles Jelavich. Chicago and London: University of Chicago Press, 1969. xix, 483 pp. $11.50. - East Central Europe: A Guide to Basic Publications. Edited, with a preface, by Paul L. Horecky. Chicago and London: University of Chicago Press, 1970. xxv, 956 pp. $27.50. - Southeastern Europe: A Guide To Basic Publications. Edited, with a preface, by Paul L. Horecky. Chicago and London: University of Chicago Press, 1970. xxiv, 755 pp. $25.00. - Volume 30 Issue 2

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Introduction: the Sociology of Medical Science and Technology
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  • 10.1525/can.1987.2.4.02a00010
Incestuous Twins and the House Societies of Insular Southeast Asia
  • Nov 1, 1987
  • Cultural Anthropology
  • Shelly Errington

In "A Study of Customs Pertaining to Twins in Bali," Jane Belo (1970) addresses a puzzling question. When Balinese commoners gave birth to twins1 (in the 1930s), the parents and twins were banished from the village for a period, their house was dismantled, and a ritual of purification of the village was performed after the untoward event. The birth of twins to high nobles, by contrast, was greeted with joy. The reason for the difference in reception of twins between highand lower-status people rested on the belief "that the twins had had contact amounting to marital intimacy before birth, in the womb of the mother. For some this intimacy was a good and very portentous thing, and the high caste princes and priests claimed that the boy was born like a god, that he brought his wife with him out of the mother's womb" (Belo 1970:3). By this logic, commoner twins, far from the gods, were incestuous: "It is incestuous for opposite-sex twins to occupy a womb; but the higher the status, the less abominable the incest, since for the gods incest is proper" (Boon 1977:138). Twin-birth beliefs form a condensed icon for whole marriage systems in insular Southeast Asia's Indic States, where high nobles strive to marry close (at best, first cousins) while close marriage is abhorred or was prohibited to lower people. Incest or its compromise act, close marriage, in short, is a statement about status; among commoners, Geertz has remarked (1982), incest is less a sin than a status mistake. The "text" of incest prohibitions has been read in a variety of ways. Some commentators explicate the local meanings of particular societies' taboos, often implying that no persuasive general theory of "incest" can be put forward (e.g., Needham 1971:29). Persuasive or not, general theories continue to be generated by others who, admitting the prohibited categories vary, are impressed with the universality of a (variable) prohibition. Throughout this article I tack between a localist's concern with cultural meanings and social and political action, and a universalist's (especially structuralist's) comparative scope-but not beyond Oceania, and with no theory claiming to explain "the" incest taboo. Using "incest" as the rhetorical motivator, I use the occasion of this essay to recast the conceptualization of groupings in insular Southeast Asia, to explore the dynamics of marriage in the preferentially endogamous "cognatic" societies of insular

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