Abstract

The French ‘no’ vote to the European constitutional referendum of 2005 was broadly attributed by political elites and mainstream media to popular fear of the Polish plumber. This phantom of globalised neoliberal labour does not, however, emerge from vernacular culture but from a deep-rooted liberal imaginary that constitutes the autonomous individual through repudiation of both intimate and foreign Others. This paper proposes the concept of phantom agents as a mechanism through which accredited political actors seek to account for the exclusions of the liberal arena and, more concretely, deflect blame for bad outcomes from themselves onto voters. Tracing the circulation and afterlife of the plumber figure through political performances across French and Anglo-American arenas, I argue that the normative chain of agencies sustaining liberal democracies—reciprocal attributions of praise and blame among representatives, media, and voters—is discredited by phantom attributions that constrain the visibility of living working-class actors and impede their access to normative political agency as liberal individuals. Accordingly, excluded actors may instead seize agency within the political arena through the ‘acting out’ of phantom personae.

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