Abstract

THE virgin ‘Ona’, mentioned in line 30 in William Blake's ‘A Little Girl Lost’ in Songs of Experience, issued in 1794, is prevented from dalliance by her ‘father white’, a restrictive holy parent who shakes the ‘blossoms’ of his ‘hoary hair’ (E 29),1 blossoms nipped in the bud by the wintry frost of a Fallen Age (seasons precipitated by the tilt of the Zodiac).2 Thus, confronted with such demanding Morality, Ona's ‘tender limbs with terror shook’ in ‘trembling fear’.3 Accordingly, Blake's Ona as a Little Girl Lost has a tragic afterlife in Blakean perspective. In The Four Zoas (VII.79:20–37, E 355) this unfulfilled maiden becomes one of the chaste moon-daughters of satanic Urizen.4 In such an allegorical equation, Ona is instrumental in forming manna, described as dewy ‘hoar frost’ in Exodus (16:14–15)—the divine Bread rained from heaven, an ingredient that miraculously nourished the Israelites...

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