Abstract
Interpretations of Saba's images of animals have usually concentrated on a few poems in which both the literary and the cultural allusions are rather obvious. In spite of the surfeit of animal motifs unfolding throughout the Canzoniere, poems such as "A mia moglie," the terse laude of Lina's animal metamorphoses reminiscent of a Franciscan view, and "La capra," with the image of the all too discussed "goat with
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