Abstract
Interpretations of Saba's images of animals have usually concentrated on a few poems in which both the literary and the cultural allusions are rather obvious. In spite of the surfeit of animal motifs unfolding throughout the Canzoniere, poems such as A mia moglie, the terse laude of Lina's animal metamorphoses reminiscent of a Franciscan view, and La capra, with the image of the all too discussed goat with
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