Bending Modernity: Chairs, Psychoanalysis and the Rest of Culture

Abstract

AbstractComing from the premise that in order to capture the social in action, we have to be able to re‐construct or re‐assemble reality through parallel histories, I propose to re‐examine the notion of modern subjective culture by focusing on a historically specific interaction of human and non‐human actors. The main vehicle of comparison utilized for this purpose is the cultural history of psychoanalysis and contemporary furniture design.Specifically, the bent‐wood furniture and its emblematic example, the Thonet chair, are used to recover a cultural history of design through bending. By cross‐referencing such design practice with the contemporaneous to it moment of psychoanalysis, I propose that the cultural logic of the fin de siècle, viewed through this particular configuration of the human and material cultures, rests on the practice of plasticity; a conditions which, since then, has become an indispensable component of modern individuality and its numerous identity “construction‐projects”.