Beefy Outlaws: Beef Consumption in Water Margin and Its Song-Yuan Antecedents

Abstract

Abstract When it comes to the favorite food of the outlaws of Mount Liang, beef is the undisputed champion. The 120-chapter edition of Water Margin has nearly 50 scenes that depict the heroes feasting heartily on beef. The next most frequently evoked type of meat is mutton, but the number of times it is mentioned is only half that of beef and the relevant scenes are depicted with far less detail. Because cattle slaughter and the sale of beef were strictly forbidden during the Song dynasty, an expanding community of researchers considers this choice of food as a subtle reflection of the bandits’ defiance of law and order. However, this school of thought has yet to sufficiently take into account several elements, including the extent to which this law was enforced during the Song dynasty, when the adventures of Song Jiang and his sworn brothers took place; society’s attitude toward beef consumption during this same period; the compilation of the novel in the Ming dynasty and the author’s awareness of historical facts; and the limited presence of beef in the Song-Yuan antecedents of the novel. Taking these points into consideration, this article reexamines the motif of beef consumption in Water Margin and the development of this theme through a historical lens. To do so, it first focuses on the legal issues pertaining to cattle slaughter and the sale of beef during the Song dynasty. Particular attention is paid to the enforcement of relevant laws and the circulation and popularity of black-market beef during this period. Then, it highlights the discrepancies between the way in which beef consumption is presented in the Ming novel and historical facts, followed by a discussion of the portrayal of meat consumption in Yuan dramas featuring Song Jiang and his gang of outlaws. In the end, by thoroughly considering the presentation of food in the developmental history of Water Margin, from Yuan dramas to the Ming novel, this article sheds light on the importance of this subject as a literary motif in medieval Chinese literature.