Abstract
In Beckett's work gray becomes a serial motif that brings a number of tonal values to his writing for the stage. Gray supports spatial, visual, and narrative ambiguity, and its effects highlight the conditional states that characterize subject, object, and image. As his work develops, shades of the color gray become more nuanced, but their status as key players in his work can be observed as early as and . His experience as a writer for the mechanical media has a profound influence on the role shades of gray have on the concept and coordination of the new and profound images his late work brings to the stage.
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