Abstract
This article examines the Exhibition of Flemish and Belgian Art, 1300 to 1900, which was hosted by the London Royal Academy in 1927. Based on materials from multiple archives, it demonstrates that this event showcased both artefacts and the internationalist policies that had led to their preservation and display. This exhibition constitutes a leading example of a new kind of political performance, which expanded after 1945 and still affects international gatherings and cultural diplomacy to this day.
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