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Next article No AccessBarthes’s PunctumMichael FriedMichael Fried Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 31, Number 3Spring 2005 Article DOIhttps://doi.org/10.1086/430984 Views: 1462Total views on this site Citations: 36Citations are reported from Crossref © 2005 by The University of Chicago.PDF download Crossref reports the following articles citing this article:Olivia Barry Tracing the felt image to thought: A somatic turn towards the nature of the creative process in country dance choreography, Journal of Dance & Somatic Practices 14, no.22 (Dec 2022): 249–261.https://doi.org/10.1386/jdsp_00083_1Andrew Osborne An Esthetic of the Meaningless: The Problem of Knausgaard’s Readability, Critique: Studies in Contemporary Fiction 63, no.55 (Dec 2020): 513–522.https://doi.org/10.1080/00111619.2020.1858749Larita Engelbrecht The Attempt to Be Here Now: “Storying” Time through a Virtual Audiovisual Archive, de arte 57, no.22 (Jan 2023): 4–32.https://doi.org/10.1080/00043389.2022.2145762Kristiina Eskelinen, Ulla-Maija Salo Writing and theorising with photographs taken by children, Ethnography and Education 17, no.22 (Feb 2022): 142–159.https://doi.org/10.1080/17457823.2022.2039258Dor Fadlon Deleuze and the Traumatic Temporalities of Digital 3-D Cinema, (Dec 2022): 149–174.https://doi.org/10.1007/978-3-031-12821-9_8Natalie Farrell Sounding the “Spirit of My Silence”, Journal of Popular Music Studies 33, no.33 (Sep 2021): 104–124.https://doi.org/10.1525/jpms.2021.33.3.104Fatmir Haskaj (Community) garden in the city: Conspicuous labor and gentrification, Environment and Planning A: Economy and Space 53, no.55 (Dec 2020): 1051–1075.https://doi.org/10.1177/0308518X20977872Geoffrey Alan Rhodes Waiting for the Augmented Reality ‘Killer App’: Pokémon GO 2016, (May 2019): 3–14.https://doi.org/10.1007/978-3-030-15616-9_1George F. (Guy) McHendry Instagrams that wound: Punctum , visual enthymemes, and the visual argumentation of the Transportation Security Administration, Argumentation and Advocacy 53, no.44 (Sep 2017): 310–326.https://doi.org/10.1080/00028533.2017.1375758Daniel Rubinstein Failure to Engage: Art Criticism in the Age of Simulacrum, Journal of Visual Culture 16, no.11 (Apr 2017): 43–55.https://doi.org/10.1177/1470412917690970Ágnes Harasztos Photographic origins of postmemory in Tibor Fischer’s Under the Frog, Neohelicon 43, no.11 (Mar 2016): 181–200.https://doi.org/10.1007/s11059-016-0323-3Garnet C Butchart The communicology of Roland Barthes’ Camera Lucida : reflections on the sign–body experience of visual communication, Visual Communication 15, no.22 (May 2016): 199–219.https://doi.org/10.1177/1470357215624308Michael Meneghetti Anamnesis in acts: documentary performance as intercession in Italianamerican and American Boy, Studies in Documentary Film 9, no.33 (Nov 2015): 201–219.https://doi.org/10.1080/17503280.2015.1104139Kim Soo Hwan Photogénie as “the Other” of the semiotics of cinema: On Yuri Lotman’s concept of “the mythological”, Semiotica 2015, no.207207 (Jan 2015).https://doi.org/10.1515/sem-2015-0050Jesse Hoffman ARTHUR HALLAM’S SPIRIT PHOTOGRAPH AND TENNYSON’S ELEGIAC TRACE, Victorian Literature and Culture 42, no.44 (Sep 2014): 611–636.https://doi.org/10.1017/S1060150314000229Maya Barzilai Reading Camera Lucida in Gaza: Ronit Matalon's Photographic Travels, Comparative Literature 65, no.22 (Jun 2013): 200–219.https://doi.org/10.1215/00104124-2143172Eric S. Jenkins Another Punctum: Animation, Affect, and Ideology Eric S. Jenkins, Critical Inquiry 39, no.33 (Jul 2015): 575–591.https://doi.org/10.1086/670046Rachel Holmes, Liz Jones Limitless provocations of the ‘safe’, ‘secure’ and ‘healthy’ child, International Journal of Qualitative Studies in Education 26, no.11 (Jan 2013): 75–99.https://doi.org/10.1080/09518398.2011.605083Elaine Campbell Landscapes of Performance: Stalking as Choreography, Environment and Planning D: Society and Space 30, no.33 (Jan 2012): 400–417.https://doi.org/10.1068/d13510By Adélékè Adéè̇ó From Orality to Visuality: Panegyric and Photography in Contemporary Lagos, Nigeria Adélékè Adéè̇ó, Critical Inquiry 38, no.22 (Jul 2015): 330–361.https://doi.org/10.1086/662745Elaine Campbell Reading/Writing Autopsy: A Dirty Theory of the Science of Death, Science as Culture 18, no.33 (Sep 2009): 313–331.https://doi.org/10.1080/09505430903122810Karen Beckman Nothing to Say: The War on Terror and the Mad Photography of Roland Barthes, Grey Room 34 (Jan 2009): 104–134.https://doi.org/10.1162/grey.2009.1.34.104 From Nomos to Nomad, (Jan 2009): 21–44.https://doi.org/10.1215/9780822390817-001 The Piazza, the Edicola , and the Noise of the Utterance, (Jan 2009): 45–73.https://doi.org/10.1215/9780822390817-002 Machiavelli’s Theory of Sensation and Florence’s Vita Festiva, (Jan 2009): 74–95.https://doi.org/10.1215/9780822390817-003 The Viewing Subject, (Jan 2009): 96–122.https://doi.org/10.1215/9780822390817-004 “You’re Eating Too Fast!”, (Jan 2009): 123–148.https://doi.org/10.1215/9780822390817-005 “The Photographs Tell It All”, (Jan 2009): 149–154.https://doi.org/10.1215/9780822390817-006 Notes, (Jan 2009): 155–187.https://doi.org/10.1215/9780822390817-007 Bibliography, (Jan 2009): 189–200.https://doi.org/10.1215/9780822390817-008Jan Baetens Sémiotique et photographie: 1961-2006, Recherches sémiotiques 28, no.1-21-2 (Oct 2010): 15–27.https://doi.org/10.7202/044585arMartin Donougho Must it Be Abstract? Hegel, Pippin, and Clark, Hegel Bulletin 28, no.1-21-2 (Jun 2015): 87–106.https://doi.org/10.1017/S0263523200000653Joanna Lowry Putting painting in the picture (photographically), Journal of Visual Art Practice 5, no.33 (Nov 2006): 215–227.https://doi.org/10.1386/jvap.5.3.215_1Torbjörn Gustafsson Chorell F. R. Ankersmit and the historical sublime, History of the Human Sciences 19, no.44 (Jul 2016): 91–102.https://doi.org/10.1177/0952695106072868Petra Rau Beyond punctum and studium, Journal of European Studies 36, no.33 (Jul 2016): 295–325.https://doi.org/10.1177/0047244106067482George Baker Photography's Expanded Field, October 114 (Oct 2005): 120–140.https://doi.org/10.1162/016228705774889574

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