Abstract

State-of-the-art systems for spatial audio reproduction utilize two to six discrete playback channels. A problem inherent to these systems is the relatively small area where the listener is able to experience a true 3-D sound sensation. This so-called ‘‘sweet spot’’ can be significantly enlarged by using loudspeaker arrays in combination with wave field synthesis (WFS) technology, initially developed at Delft University. By following this approach, actual sonic spaces can be reproduced in their entirety and not only discrete multichannel representations thereof. While loudspeaker arrays can be used to reproduce sound fields, microphone arrays can be used for sound field capture and analysis. Having high-quality audio reproduction in mind, microphone array designs are presented that need to fulfill stricter requirements than what has been traditionally considered for microphone array applications. Information on acoustic source position is essential for WFS-based rendering techniques. As will be shown, joint audio–video object tracking proves to be efficient for this task. Moreover, full-duplex applications based on WFS technology, like high-quality teleconferencing or remote music teaching, call for sophisticated multichannel acoustic echo cancellation algorithms. The European project ‘‘CARROUSO’’ aims at developing, integrating, and building a real-time system that embraces all previously described technologies in an MPEG-4 context.

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