Abstract
Recent years have seen an increase in extraterrestrial exploration projects. What was once a series of competing displays of Cold War political and military might between the US and the USSR has now re-emerged with international collaborations and fresh contestants that range from newly developed, government-based Space programmes to a growing list of private and corporate investors and entrepreneurs. Historically, performances and performative actions and utterances have been important instruments for the representation and politicization of outer-Space discovery and exploration. An inevitable corollary of the recent developments of Space exploration, therefore, is that diverse performances and performatives in and about Space are also flourishing. Their multiplicity reflects the complexity of contemporary geopolitics as well as the forms that these performances may take, including extreme sports, theatre, music videos, social-media interactions and experimental performance. The increase in expressive possibilities calls for a mode of critical attention that addresses them in their scientific, geopolitical and formal particularity.
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