Abstract
AbstractSharpening contradictions in US–China economic interdependency has created a crisis and an opportunity for Asian American cultural critique. A crisis in that it is plainer than ever before that antiracism and anti-imperialism do not necessarily align; an opportunity in that US and China’s financial entanglements have fueled a boom in the Asian American novel as a lively genre of the transPacific credit economy. At the very least, this makes for the new social relevance of Asian American novel criticism.
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